Sunday, 3 May 2009
Thursday, 30 April 2009
concrete floors make copacetic mattresses
Some thoughts...
I'm using the opportunity to work freely in such a large space to take a step back from my practice at this stage by documenting a series of wall drawings. Past works can be described as fugitive in that they often are short lived and occupy ancillary spaces in museums and galleries. The drawings at PSL will be filmed being made and then erased shortly after completion. The project is structured in two 6 week phases: the first of which resembles studio practice in public and the second stage (which we're calling 'the exhibition') has more of a conventional feel of a group show.
The next stream of consciousness rant concerns the work pictured in the image above...
In a way this new work relates to the title Morphic Resonance, as on a formal level; stereomatic motifs and familiar insignia allude to notions of collectivity and Sheldrake's collective memory theory.
The grammar of the ornament here speaks of interplay and transition. However, above all else, this drawing is an aesthetic consequence of time and space. The optic-illusionary elements serve to reinforce the idea of art as paradox and multi stable. The hyper-temporary nature of the work draws into question the very function and value of art itself. The found insignia are geometric shapes of the sort which have regularly appeared in the 60's movement of Op art as well as in the sophisticated 3d illusionistic pattern design of many cultures including Rome, the Middle East, India and Greece.
Ornament in the context of a culture is a form of social amelioration, an act of relieving ills and changing for the better, perhaps linked to humankind's striving for Godliness through order and dominion over nature or an improved society towards utopia. Or an indication of a race's identity and their societies stage, gauged by their ornament's level of sophistication. You don't need to look further than architecture to see the signs this vernacular expression of power through design. Is the idea of relieving ills related to the compulsion artists feel to make objects and statements? What do we share that makes us artists? A gene? Was the Beuysian positivist notion of trauerarbeit due to individual or collective collective guilt? Why am I so cynical? Can art really make a difference? Can it change the world? When I ask the question 'What is art for?' by making temporary site specific drawings. I think the answer for me lies somewhere in this line of enquiry. I like to think of these works as conversations on these ideas.
Working in the space and getting an insight into, not only my praxis - which was the original intention - but also the work of the other artists has been unusually helpful. It has in addition, generated more questions than answers at this stage, which I'm rather happy about...
For the opening on the 12th of May intend to display the black and white photographic documentation of each drawing (6 in total) before erasure as the work in it's final form hung over the painted-out drawings. This project for me has been about duration and gaining a new perspective on my praxis. More to follow... In the meantime you can see more photos and video of work in progress on my faceplant page
hakol b’seder,
Ant Macari
workplace gallery
Wednesday, 29 April 2009
EARS/EYES cont....
EARS / EYES
Regarding a conversation with Rachel about musical activities, some links to Nous Vous related music projects...
vest for tysso
mjbc
bigfire
glaciers
mrs dice feet
crayon
N
vest for tysso
mjbc
bigfire
glaciers
mrs dice feet
crayon
N
Pest

Hi everyone,
I just wanted to say "hello" on behalf of Pest. Some of you may have met Rebecca last week, however due to other commitments (and the fact that none of us have a car!), it's proving really difficult for us to get to all of the contact days and we haven't been able to participate as much as we may have liked.
Our response to these problems has been to construct the Pest office. This will be standing in for us during the exhibition, throughout which we will be researching the third and final Pest publication. This will explore the motivations and realities of artists working in 'social' spaces (e.g the public realm, internet/media, specific communities etc.) and will include artwork by Preston artist Martin Hamblen and a short story by London artist/curator Sophie Hope. Our research for this publication will involve us visiting artists and artists groups throughout the UK and also in Budapest (we received a NAN bursary from AN to do this), and sending information and reports back to the Pest office.
We have a provisional list of people who we plan to visit, which we will post up soon. However, if any of you have any suggestions of interesting groups/artists/projects that would be brilliant. We are particularly interested in politicised activities – specifically those which interrogate the notion of social/public space, but we're open to all types of practice. It would also be good to arrange meetings with other Morphic Resonance participants – either face to face in the office or on Skype. Reading this blog I am particularly interested in the raft project that Dan, Penny and No Fixed Abode are working on and it would be good to find out more…..
We’re going to set up a Pest blog to record all of our activities, so I’ll post the link as soon as that’s live.
Sorry we can’t make the meal, hope you all have a great time and I look forward to finding out what happens!
I just wanted to say "hello" on behalf of Pest. Some of you may have met Rebecca last week, however due to other commitments (and the fact that none of us have a car!), it's proving really difficult for us to get to all of the contact days and we haven't been able to participate as much as we may have liked.
Our response to these problems has been to construct the Pest office. This will be standing in for us during the exhibition, throughout which we will be researching the third and final Pest publication. This will explore the motivations and realities of artists working in 'social' spaces (e.g the public realm, internet/media, specific communities etc.) and will include artwork by Preston artist Martin Hamblen and a short story by London artist/curator Sophie Hope. Our research for this publication will involve us visiting artists and artists groups throughout the UK and also in Budapest (we received a NAN bursary from AN to do this), and sending information and reports back to the Pest office.
We have a provisional list of people who we plan to visit, which we will post up soon. However, if any of you have any suggestions of interesting groups/artists/projects that would be brilliant. We are particularly interested in politicised activities – specifically those which interrogate the notion of social/public space, but we're open to all types of practice. It would also be good to arrange meetings with other Morphic Resonance participants – either face to face in the office or on Skype. Reading this blog I am particularly interested in the raft project that Dan, Penny and No Fixed Abode are working on and it would be good to find out more…..
We’re going to set up a Pest blog to record all of our activities, so I’ll post the link as soon as that’s live.
Sorry we can’t make the meal, hope you all have a great time and I look forward to finding out what happens!
Elaine
Subscribe to:
Posts (Atom)

